It is August which only means one thing – it is Camden Fringe time! Over the next few weeks we are chatting to acts that are performing at the festival and finding all about their show and what they would call this years iconic Camden Fringe Pigeon! Today we find out about the show Doomsday Baby

Date: 6th/ 7th & 8th August
Time: 19:00 / 21:00
Price: £12.50 Concession £10
Location: Theatro Technis

Ticket Link:https://camdenfringe.com/events/doomsday-baby/

How did you come up with the name of your show that you’re taking to the Camden fringe?

The name “Doomsday Baby” came to me really early on, while writing its first draft. For me, it paints a vibrant picture of the themes of the play. The word “Doom” which speaks to death and destruction or some terrible fate. Contrasted to “Baby” which evokes images of an infant, to an affectionate term for a lover, or as a means of overprotection. The dichotomy of a “Doomsday Baby” really encapsulates what audiences can expect from the world of the play, and will hopefully spark some curiosity about what’s to come. 

Tell us a little bit about your style of show?

I’ve written a play which is quite intense at moments, but scattered throughout are definitely moments of humour – this humour, albeit dark, stems from the extreme situation my characters, Adam and Eve, find themselves in. The play deals with some morally dubious questions and I think the style of the play allows the audience to consider how they would behave in the situations our characters encounter. Through this very close mother/son dynamic we get to witness where the human mind travels when it’s held in captivity, and the toll this can take on the senses. 

What other acts are you looking forward to seeing at the fringe?

No surprises I’m a big fan of anything apocalypse related. As such, I’m excited to see “Tales From the Wasteland: Post-Apocalyptic Improv”. I love classic end-of-the-world films and TV shows (hello Mad Max), so I think this will be great fun.

What is the best thing about performing at the Camden fringe?

I think the best thing is the community that is created through the fringe. Everyone is trying to support each other and help each other. It’s not competitive and it’s a lovely way to try new content. 

London can be an expensive place to perform in – what key advice would you give to performers that is a sort of life hack?

First, rehearse smartly by using free or low-cost spaces like parks or community centres, and keep an eye on venues like Theatre Deli or the Actors Centre for affordable options. Second, line up flexible side jobs that support your acting career – like front of house work, or teaching workshops. Simulated patient gigs are also great because they’re often arts-adjacent and understanding of your schedule. Finally, don’t let travel costs drain you – link a railcard to your Oyster for discounts, and use navigation apps to find cheaper routes. The key is to stay resourceful, keep networking, and say yes to opportunities, even if they’re unpaid at first—they often lead to the next big thing.

Who would be your ultimate dream audience member?

If you know a “boy-mum” (or perhaps you were raised by one) this play is for you. Along with anyone who is fascinated by human behaviour, thrillseekers, preppers, and anyone who survived Covid-19 living back at home with their parents…you know who you are.

The iconic image of the Camden Fringe is the Pigeon – if you could call this year’s pigeon a name to represent its style what would it be and why?

Eve; she’s always watching you and hiding some dark secrets in those wings of hers.

If people want to find out more about you, where can they follow you on social media?

Instagram: @doomsdaybabyplay

And Finally in three words – Why should people come and see the show? 

Thrilling, Intimate, Hopeful.

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