Music

Playing The Favourite – INTERVIEW -ELOAĦ

Welcome to the feature where we talk to musicians about some of their favourite things about the industry. Today I speak to the band ELOAĦ who have recently released Proud to Love You. Today we find out about their favourite songs.

What is your Favourite:

Song you have written:

My preferred track varies with each album, typically favouring one from the latest release as I strive to evolve as a musician. Currently, my favourite is likely the song “A Spark of Darkness,” a tribute to my late friend Michael Görig, who passed away last year before completing his first book of the same title. It’s regrettable that he can no longer hear the song, though one can only wonder if, in some mysterious way, he might still be able to.

Lyric:

My favourite lyrics, if I had to pick from any song I know, would be the ones from “Believe” by Savatage. I find them to be incredibly beautiful, powerful, and profound, surpassing any other rock song I’m familiar with. When it comes to our own songs, my current choice would be the lyrics of our latest composition, “Not for You,” which I wrote last weekend. The reason behind this choice is that the song emerged while I was working on another new, positive, and spiritual track. In contrast to our recent album “Proud to Love You,” “Not for You” explores the refreshing perspective of not being in love anymore. Writing and playing it felt exceptionally good, providing a stark contrast to our usual themes.

# musician

My preferred musicians are the ones I collaborate with: Orion Roos on electric guitar, Peter Douwenga on bass guitar, Johan van der Meer on drums, Lila Herderberg on vocals, and Dominik Mittergradnegger on saxophone. Having the opportunity to play with such highly talented, unique, and gifted musicians is a true blessing. I can genuinely affirm that these individuals are my favorite musicians.

Film or television show:

Well, it depends. One of my favourite TV shows is “Dispatches from Elsewhere” – I truly appreciate its magical atmosphere, intricate plot, captivating music, and overall content. In my opinion, it stands as an artistic masterpiece. When it comes to somewhat older movies, I have a strong fondness for “Dead Poet’s Society,” “The Best You Can Get,” and, venturing into more experimental territory, the film “Pi.”

Venue to perform at:

Personally, I prefer venues that can accommodate around 100-200 people. This creates a somewhat intimate atmosphere, with a substantial but manageable crowd. The volume can be adjusted to be loud enough without reaching a point where earplugs or other noise protection would be necessary.

Item to take with you on tour:

We have not toured in the current formation, so it is difficult to answer this question. Trivially, as a singer, I would have to say: my microphone.

Instrument:

Currently, my favorite instrument is my Samick semi-acoustic guitar. I derive so much joy from playing it that simply holding it brings me a sense of satisfaction. Typically, I play until certain muscles, tendons, or fingertips begin to feel discomfort (though I do not recommend this to anyone, by the way!).

Song to play live:

The song I’m currently most fond of playing, primarily for my own enjoyment since I recently wrote it, is “Not for You.” It’s a refreshing punk track that explores the freedom of not being in love with someone (anymore). It provides an incredibly liberating feeling, at least for the moment.

Album by another musician:

That would be “Streets  – A Rock Opera” by Savatage.

Era for music:

Now. This moment is consistently the optimal time for anything, really. It might sound trivial, but it’s crucial: the past is unchangeable, and the future has not unfolded. Therefore, the prime time, the best era for music, is NOW. Seize your instrument and play. Alternatively, put on your favourite music and relish the experience – right now (and yes, this IS a recommendation).

Part of making a record

I cherish every aspect of making a record. The journey begins with the awe-inspiring and humbling moment of inspiration, such as when the punk song “Not for You” came to me while rehearsing a sweet, spiritual hymn last week. The joy continues through the process of practicing and rehearsing, where the song evolves and playing the new tunes becomes exceptionally rewarding. Collaborating with fellow musicians during arrangement and recording adds additional musical dimensions, and mixing and mastering the final tracks feels like a privileged task. Even the artwork part for the cover contributes to the overall love I have for the entire process.

Thing about performing at festivals:

We have never performed at festivals in the current line-up, so I cannot answer that question.

Quote:

“In some instances, music is actually better than the spoken word, because it doesn’t need to be understood.” (Victor Wooten)

Thing about the music industry at the moment

Digital distribution transformed the music industry, making music more accessible but also cheaper. Streaming and downloads have reduced the value of individual songs, making it tough for musicians to earn a living. Subscription services offer vast music libraries at low costs, setting an expectation that music should be almost free. This has led to artists relying on live shows, merchandise, and licensing to make ends meet. The current situation raises important questions about how society values music and the need for fairer compensation for musicians in the digital era.

Thing about 2023?

Last year was fantastic for ELOAĦ. We launched our soft rock/ballads album, “Proud to Love You,” last spring, and we’ve been diligently working on our upcoming releases. And yes, it’s plural! We’re currently in the process of recording both bass guitar and electric guitar for our next hard rock album, while our drummer is already gathering ideas for the albums that will follow. As a delightful surprise, we discovered a new fanbase in Tokyo — these are truly creative, busy, and positive times for us!!

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